The People have spoken. In this post you will find my review for both Jumper and Gone Baby Gone.
But first, this:
Boston: I just need to do a quick blurb about what the people "in the know" are saying about the Manny trade. Apparently (and this is all unconfirmed reports) Theo met with certain veterans on the team (assumed among them 'Tek, Lowell, Ortiz, Schill, and Wake) to discuss Manny. The word was that he had to go (hence the high cost to relieve themselves of him?). Just before the trade was finalized, it's been reported that Manny, through his agent Scott "I-like-to-think-I-rule-the-world" Boras, let the Red Sox know that he'd like to stay, promising a turn around in his attitude and effort. This just further confirmed for the Sox front office that he
had been dogging it and not putting forth 100%. "No Thanks" was their reply and Manny was a Dodger. Now, here's the one piece of evidence that doesn't lay credence to that report. Manny is what's known as a 10/5 guy (Ten years in the league, five years with one team) so he has the right to veto any trade. It's not a no trade clause, but it's similar. If he wanted to stay, he could have stayed. Now on to what you really want to read about:
Review:
Jumper 2008/PG-13/Action
I wasn't going to review
Jumper. Mostly I didn't feel like it was worth my time to review it. (Does that give a hint as to what I thought about the movie?)
We'll start with the acting. Once again
Hayden Christensen gives another "I-talk-funny-and-call-it-acting" performance.
Max Thieriot (
The Pacifier) actually put forth a better performance as young David than Hayden did as old.
Samuel L. Jackson did what he could with a relatively limited character. And
Diane Lane made a cameo? What was with that? Actually, more on that later.
The writing of this movie was so blah. The foreshadowing was obvious. The characters were shallow. The plot points predictable. He can teleport? Oh, so he's going to rob a bank. Of course. The villains are religious fanatics and there was no character arch for the hero. Perhaps the most annoying truth of all of this is that
Jumper is based on a book about teen angst and escapism. How he can never actually escape from himself. The writers of the movie made a conscious choice to deviate completely from the book. Their product? A completely non-compelling story about a guy with a special power and people trying to kill him. Woo hoo.
Here's what I can say about the movie: The process of "jumping" and the special effects were well thought out and entertaining. The "rip" was a brilliant idea. As was the concept that the things around the jumper would be effected due to the jump. The fight scenes were well choreographed and the jumping during them made them more interesting.
I think what bothered me the most about this sub-par film, was that it was clearly made with a sequel in mind. Any time you tell a story
knowing that it is going to continue, you tell an incomplete story. (See
Back To The Future II,
Lord of the Rings: The Fellowship of the Ring,
Matrix Reloaded). This is why Diane Lane's part was so minimal and secondary. She's slated to have a larger role in the up coming sequels. (The filmmakers are actually planning on turning this into a trilogy! Puh-leez!)
All in all:
1 out of 5 stars
Review:
Gone, Baby, Gone 2007/R/Drama
**SPOILERS****SPOILERS****SPOILERS****SPOILERS****SPOILERS**
To begin I must be honest: I went into this movie with lower expectations because I knew two things: A)Directorial Debut for
Ben Affleck. B)He cast his own
brother.
Lucky for Mr Affleck (both of them, really) they got a compelling story for this project that raised enough questions with the plot that we could ignore the questions raised by some of the directorial and acting choices. For example, why was every close up in the movie such that the camera was far from the actor and zoomed in? Too lazy to move the camera? Too inexperienced to know that people can tell when the camera is close vs when the focus is close? Annoying. And
Casey: I didn't really believe you when you were bein' all bad. You are built like Dustin Pedroia (5'2" 160lbs) and nobody believes him either. Nice try though. This film was carried, however, by the giants of the screen
Ed Harris and
Morgan Freeman. Fantastic believable empathetic performances put forth by both of them.
Of course, with a movie like
Gone, Baby, Gone people aren't reading my review for my critique of the lighting (which was pretty under-thought, by the way) but rather for my thoughts about the message of the film. Or, perhaps more specifically, the looming question of the film: Should Patrick have allowed the little girl to stay with Jack and his wife? That poor little girl, whose mother was a drug runner and addict. In fact, it'd be hard to call her a mother, she certainly didn't act like one. The little girl was happy, she'd obviously have a much better life.
Patrick did the right thing. Who are we to say who should and shouldn't be a parent? And even if she failed once, does she not deserve a second chance. (this is particularly aimed at those of us who have experienced the ultimate second chance. What if Jesus decided that
we were a lost cause?) Kidnapping is kidnapping, regardless of the motive. That girl would grow up knowing something was missing. She'd try to find her mother. What then? Her mother is going to believe her to be dead. "You were kidnapped, they killed you." What does Jack tell her then?
The logical expansion of believing that Patrick should have allowed her to stay is that this becomes a government program with guidelines on who can and cannot have children. This would be the first step into the world of
The Handmaiden's Tale. Patrick also took the necessary step when he learned that Amanda's mother wasn't really going to change. He stuck around. It would have been irresponsible for him to choose to return the girl to the situation she was in before without taking some responsibility for her care. At least we know that
he will be involved in her life and that gives us hope.
Overall: I never really believed the girl was dead, so they totally missed that key point. Most of the acting was stellar including the performances by the "no-namers" (
Titus Welliver and
Amy Madigan). The writing was good. The direction was, for the most part, acceptable. Affleck handled the flashbacks well, not spoon feeding his audience. It raised some good questions and caused some good discussion.
3.5 out of 5 stars